I've Been Hurt But I Still Love You

Now that the Yardbird's singles have been covered I am feeling a Zombies mood coming on.  Here is their great August 1965 single that sank like a stone - Whenever You're Ready.   The bridge section -  "you're not teaching me a new thing" - between the verse and the chorus is a thing of beauty.   Rod Argent was such an excellent songsmith, and of course Colin Blunstone was the perfect singer for his songs.  The b-side was the excellent I Love You, which unfortunately was a hit for another band - People.  The Zombies were sadly always in the wrong place at the wrong time.  For me though their music holds up and is nearly equal in quality to the Kinks and the Beatles when it comes to the 60s.

Zombie Heaven

Yeah, I am definitely into a Zombie's kick at the moment. There is magic around every corner, on the B-side of neglected singles, even on the post-breakup songs recorded by Rod Argent and Chris White to take advantage of the success of Time Of The Season.

For example, take She Does Everything For Me, the B-side to their November 1966 UK-only single with a slap-dash version of Goin' Out Of My Head on the A. Give a listen to this unbelievable rave-up. From the opening keyboard riff, to the vaguely middle eastern sounding guitar riff, to the wonderful Hollies-inspired harmonies this is a killer song. And that last note - wow!

The Heart Is a Lonely Hunter

I have a "thing" for Southern gothic stories. Bring me a book by Carson McCullers or some short stories by William Faulkner and I will hole up for days to read until I can no longer stay awake. In 1967 the Zombies entered EMI's Abbey Road Studios to record what would become their swan song, the Odessey and Oracle album. Rod Argent used a Falkner short story as the basis for A Rose For Emily, which appears as the second track on side one. The dense five part construction of the original story is jettisoned for a simple tale of a spinster who never finds love. But the tune itself and its arrangement - like everything on this album - is one-of-a-kind baroque pop of the most beautiful variety imaginable. Colin Blunstone's breathy vocals are unparalleled in pop music, and on this occasion he used his choirboy simplicity to evoke something antique. He effortlessly handles the leaping melodic twists, and the band joins him for the middle eight, their harmony vocals echoing clear and stark, imbuing an emotional burden almost too intense to bear. The closing lines bring no final respite for Emily's plight.

"The roses are fading now. She keeps her pride somehow it's all she has protecting her from pain. And as the years go by, she will grow old and die. The roses in her garden fade away, not one left for her grave, not a rose for Emily."