Wednesday, September 30, 2009

Viva la Revolucion!

How many recorded versions of Revolution exist? I have no idea but I just stumbled across another one - but this time with an actual video to accompany it. There is an "official" Beatles video with the 45rpm single version of the song - you know, the loud bordering on white noise version - without the background "shooby doo wop" vocals, and missing the last minute "count me out.. in" line present on the slower White Album version. Well this is another take of the loud version, with those effects from the album version. Maybe not as revelatory as the newly discovered Revolution 1 - Take 20 that has recently surfaced, but still a fine alternate take on one of John's classics. I cannot think of another band that looked as comfortable in their own skin as these guys at this point in their career.

Sunday, September 27, 2009

Missed opportunities

Let's dive in head first here. In early February 1968, the Beatles were in the studio to record some songs for a projected new single. Nothing had been decided about what songs would make the A and B sides, but they were under pressure to record a single as they were about to embark on long trip to India and would not be back in England until summer.

In January they had recorded George's The Inner Light, but like his Only A Northern Song and It's All Too Much - unreleased from the previous year - there was no chance it would be an A side. So on February 3rd, Paul brought in Lady Madonna and the basic recording was done. The next day John's Across The Universe was recorded. Although it is clearly one John's loveliest and most gentle songs, at the time it created a rift, as Paul had brought in some Beatle's groupies off the street to sing harmonies - a move which left John feeling that Paul was undermining the integrity of his work. Many times over the preceding years John and Paul had engaged in a game of one-upsmanship to write the next Beatle's single. What was different this time was John perceived an attempt to degrade his effort. Whether that is true or not we will never know. Regardless, the outcome is that Paul won this current battle.

On February 11, the Beatles entered the studio to record a film to accompany Lady Madonna. But John had meanwhile written a new song - Hey Bulldog and the LM video was actually a film of the fab four performing Mr. Lennon's new rocker - with LM music superimposed over it. Luckily the original version with HB survives. A stinging guitar riff launches one of The Beatles' hardest rockers.

I have no gripe with Lady Madonna being the initial single A side. In fact I consider it to be the most perfect power pop tune ever recorded. The piano boogie, the goofy lyrics, Paul's Elvis voice, amazing harmonies, kazoos, a saxaphone solo, and a very interesting guitar riff (would love to hear it in a more pronounced role) make it one of the enduring classics. In a kind gesture to George, John recommened The Inner Light for the B side, and being George's finest Indian-influenced songs, it deserves its place.

But what of Across The Universe and Hey Bulldog? The former sat on the shelf for over a year, then was given away as an album track for a World Wildlife Fund fundraiser. A transmogrified version appeared a year later on Let It Be, over-produced, slowed down, and expunged of its sweet potency. Meanwhile the latter song was held until being released as filler on the Yellow Submarine soundtrack.

If someone had been minding the farm, a much better result could have been managed. As a follow up single to Lady Madonna, Hey Bulldog b/w Only A Northern Song could have kept the Beatles on the singles charts until June. At which point Across The Universe b/w It's All Too Much could have kept the streak going until Hey Jude appeared in August. Besides keeping fresh Beatles product on the air, it would have prevented the late-period Beatles singles from becoming the nearly all-McCartney-composed affair that transpired. That John did not fight for these two great songs to be released was a clear sign that the Beatles were entering troubling times ahead.


Just a quick thought here... I have been immersed in all things Beatles related recently, and have been wondering about songs that could have been/should have been 45rpm singles. Then I came across a comment on the following YouTube video that Paul McCartney had orginally hoped that Every Little Thing would be released as a single. I believe this to be one of the least heard Beatles songs, and for the life of me I do not know why. Great melody, killer descending piano chords, and Ringo playing the friggin' timpani!