From the opening other-worldly guitar chords and drumming salvo, No One Knows announces that Badfinger ain't some Beatles-lite band riding on the Apple wagon. From their second Warner Brothers LP Wish You Were Here, genius popmeister Pete Hamm provided perhaps the finest power pop ever produced by a band that already had a fine track record in that genre. The story behind the album and its limited release is part of a story too sad for me to tell here. Look up the details in Wikipedia if you are not already familiar. Today I just want to bask in the glory of this amazing tune and the super album from which it comes.
Producer Chris Thomas helped the band achieve a mature sound - that along with the stellar songwriting - makes this record their finest long play issue. He was initially brought in to salvage their last Apple release, Ass, then stayed on for their first two Warner's releases. From start to finish this is a fine piece of work. All four members contributed songwriting chores.
As for No One Knows, the guitar chords that I mentioned up top are difficult to describe. Rhythmically widely spaced, they ring out and barely fade before the next one comes. A piano riff comes in then the drums build as the chords repeat. Leading directly to that glorious chorus with the slow guitar arpeggios injecting their counterpoint.
"No one knows how good I feel, when you let it glow"
The middle eight uses the opening mega-chords to punctuate Pete's glorious happy vocal.
"Come in closer with each sigh,
Knowing soon that we will fly"
Even the odd Japanese soliloquy over the instrumental version of the chorus seems just right. Then those great Badfinger harmonies join in for another pass through the middle eight.
Power Pop does not get any better than this.
BW's Saturday #15
2 hours ago
3 comments:
Great song. Great band. Loved the way "Breaking Bad" worked "Baby Blue" into the series finale.
I always loved this record (and most of the stuff Badfinger did), but also almost always felt like the lyrics were one polish short of being great.
That said, I'd take the worst Badfinger song over 95% of what's out there these days...
Thanks Tim. I heard about "Baby Blue" on Breaking Bad. Not having seen the show, I cannot even imagine how it would work within that context but then again it is such a great song, I would be thrilled just to hear it.
You are right Alex, their lyrics are Badfinger's weakness. But on occasion Pete Hamm could do better than the usual moon/june rhyming. A case in point, "Denis" from this same album, a touching tribute to his young son.
Post a Comment